A few weeks ago a really fun project dropped out of the sky:Â orchestrating a live-action version of Rudolph the Red-Nosed ReindeerÂ that will tour the nation and play for several weeks at the Chicago Theatre and the Theater at Madison Square Garden.
Orchestrating this show is so much fun.Â It’s like orchestrating Guys & Dolls (complete with four violin parts) or a mid-career Sinatra album. I’m trying as best I can to recreate the original score, but also to enhance it â€“ to make it sound like you remember it sounding rather than what it actually sounded like (Ina talks about this a lot with her recipes.)
Then there’s all the shiny toysÂ I get to use, the glocks and harps and celeste.Â It’s like I’m a dress-maker and an honest-to-god child princess has walked into the room and commandedÂ me to use every sparkle and glitter in my cabinet.
And boy, did this guy Johnny Marks know how to write a song or what? We’re talking ONE-FIVE-ONE baby. Secondary dominants. Consequent-antecedent phrases. Quarters and halves. Primary colors and basic shapes. Good, strongÂ tunes. The musical language is similar from song to song, two-steps andÂ waltzes all the way throughÂ but the construction is so solidÂ you don’t get tired of it.
This baby has to be written and recorded before November though, so it’s long days and lots of notes. I allow myself one episode of The Andy Griffith Show during my lunch break.Â Has there ever been a better show? There certainly hasn’t been a show with a better score. That studio orchestra â€“ I wonder if it’s the same one that Lucy used, like if all the Desilu shows shared the same musicians. I’ve said it before and I’ll say it again: whoever scored the Andy Griffith show is a genius.
Anyway, I’ve got to score 2 more cues today, but ifÂ you’re looking to bathe yourself in pure nostalgia, check out those tour dates and find a performance ofÂ RTRNR near you!!