Duet for bass-baritone and violin
This piece is supposed to represent Jesus parched atop the cross. The violinist progressively de-tunes the strings of their instrument. The result is heard clearly at the end of the piece.
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Duet for bass-baritone and violin
This piece is supposed to represent Jesus parched atop the cross. The violinist progressively de-tunes the strings of their instrument. The result is heard clearly at the end of the piece.
Anthem for Choir, Organ, Brass and Timpani
This piece continues my little idea of having a sort of Greek Chorus of Men narrate the Passion. Â The main body of the movement is built over a descending tetrachord ostinato played as a wicked tango rhythm.
Introit for Choir, Organ and Brass
A nice little ditty to a familiar set of words. Â I particularly like the cutsy-pootsy way this piece ends.
Anthem for SSA Chorus and Strings
This is one of my personal favorites among my own works. The entire thing is based on the simplest possible scalar motive (C Major) and in the second half, only two pitches change. Despite this tremendous economy of means, I think the piece works.
https://www.willcwhite.com/audio/15%20Psalm%2022.mp3
Anthem for Choir, Strings, and Piano
The text of this piece is the continuation of Jesus” quote from the cross, “Father, why hast Thou forsaken me?” Â The piece is the emotional center of my Good Friday Music. Â The string parts for this and the other Good Friday music casino francais en ligne are necessarily simple because I had no idea who would be playing them. Â There ended up being a mix of my friends from town and some suburban high school students. Â I was glad I had written conservatively.