Monthly Archives: August 2024

Eaters of Flesh hymn-fantasia, op. 46a

Eaters of Flesh is a piano fantasia that began life as a hymn. The hymn text was penned by William Cowherd, the leader of a 19th-century sect of radical Christian vegetarians known as the Bible Christian Church. As a fervent vegan myself, I set this text to music (along with two other texts by Cowherd) as my op. 46, Three Vegan Hymns.

Cowherd’s text reads as follows:

“Eaters of Flesh!” could you decry
Our food and sacred laws,
Did you behold the lambkin die,
And feel yourselves the cause?

Lo! there it struggles! hear it moan,
As stretch’d beneath the knife:
Its eye would melt a heart of stone!
How meek it begs its life.

Had God, for man, its flesh design’d;
Matur’d by death, the brute,
Lifeless, to us had been consign’d,
As is the ripen’d fruit.

Hold, daring man! from murder stay:
God is the life in all.
You smite at God! when flesh you slay:—
Can such a crime be small?

The fantasia uses my original hymn tune for “Eaters of Flesh” as the basis for an impassioned keyboard work.

The fantasia may be performed as with or without the vocal part. If performed without the voice, the pianist should incorporate the melody into the texture.

Galanteries, op. 59

The term “galanterie” was used by 18th-century composers to describe the optional movements of a Baroque dance suite. A suite required four standard movements — the allemande, courante, sarabande, and gigue — but between the sarabande and the gigue a composer could insert a rogue dance: a bourrée, gavotte, minuet, or passacaglia, just to name a few of the options.

In Galanteries (which I describe as “a suite of misfit dances”) four such movement types are given pride of place: the bourrée, the air (a pair, in fact), the chaconne, and the passepied.

Composed April–May 2024