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	<title>William C. White &#187; Solo Vocal</title>
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		<title>Magnificat</title>
		<link>http://www.willcwhite.com/2007/05/magnificat/</link>
		<comments>http://www.willcwhite.com/2007/05/magnificat/#comments</comments>
		<pubDate>Tue, 22 May 2007 04:00:07 +0000</pubDate>
		<dc:creator>willcwhite</dc:creator>
				<category><![CDATA[Solo Vocal]]></category>
		<category><![CDATA[Thy King Cometh]]></category>

		<guid isPermaLink="false">http://www.willcwhite.com/?p=232</guid>
		<description><![CDATA[for Solo Soprano and Orchestra (2 Flutes and Strings) My setting of the Magnificat is for solo soprano and orchestra (strings and flutes) and is in two movements.  I&#8217;ll admit my ignorance &#8212; I don&#8217;t know of any other settings of this text set for a solo soprano.  I must have sung a bazillion Anglican [...]]]></description>
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<p>for Solo Soprano and Orchestra (2 Flutes and Strings)</p>
<p>My setting of the Magnificat is for solo soprano and orchestra (strings and flutes) and is in two movements.  I&#8217;ll admit my ignorance &#8212; I don&#8217;t know of any other settings of this text set for a solo soprano.  I must have sung a bazillion Anglican church anthems on this text, but they&#8217;re all for choir.  Anyhoo, it just made sense to me somehow.</p>
<p>I thought I was making a major mistake while writing this piece, because I kind of had a hybrid of several different lady sopranos&#8217; voices in my head.  The incomparably versatile Laura Lynch came in and nailed it, thus proving me wrong (or right, as the case may be).</p>
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		<title>My Soul Thirsteth</title>
		<link>http://www.willcwhite.com/2006/04/my-soul-thirsteth/</link>
		<comments>http://www.willcwhite.com/2006/04/my-soul-thirsteth/#comments</comments>
		<pubDate>Sun, 02 Apr 2006 04:00:50 +0000</pubDate>
		<dc:creator>willcwhite</dc:creator>
				<category><![CDATA[Solo Vocal]]></category>
		<category><![CDATA[Thy King Cometh]]></category>

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		<description><![CDATA[Duet for Bass and Violin This piece is supposed to represent Jesus parched atop the cross.  The violinist progressively de-tunes the strings of his instrument.  the result is heard clearly at the end of the piece. Performed by the genius combination of Michael Cavalieri (baritone) and Carlos Villarreal (violin).]]></description>
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<p>Duet for Bass and Violin</p>
<p>This piece is supposed to represent Jesus parched atop the cross.  The violinist progressively de-tunes the strings of his instrument.  the result is heard clearly at the end of the piece.</p>
<p>Performed by the genius combination of Michael Cavalieri (baritone) and Carlos Villarreal (violin).</p>
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